‘A magisterial diary for bird lovers.’ Observer ���� The Telegraph As seen on BBC Winterwatch 2023 ‘Honest, human and heart-grabbing. I loved this book so much.’ Sophie Pavelle, author of Forget Me Not ‘Delightful’ Stephen Moss, author of Ten Birds that Changed the World   ‘Fascinating and thought-provoking’ Jake Fiennes, author of Land Healer   ‘Awe-filled and absorbing’ Nicola Chester, author of On Gallows Down   The Meaning of Geese is a book of thrilling encounters with wildlife, of tired legs, punctured tyres and inhospitable weather. Above all, it is the story of Nick Acheson’s love for the land in which he was born and raised, and for the wild geese that fill it with sound and spectacle every winter. Renowned naturalist and conservationist Nick Acheson spent countless hours observing and researching wild geese, transported through all weathers by his mother’s 40-year-old trusty red bicycle. He meticulously details the geese’s arrival, observing what they mean to his beloved Norfolk and the role they play in local people’s lives – and what role the birds could play in our changing world.  During a time when many people faced the prospect of little work or human contact, Nick followed the pinkfeet and brent geese that filled the Norfolk skies and landscape as they flew in from Iceland and Siberia. In their flocks, Nick encountered rarer geese, including Russian white-fronts, barnacle geese and an extremely unusual grey-bellied brant, a bird he had dreamt of seeing since thumbing his mother’s copy of Peter Scott’s field guide as a child. To honour the geese’s great athletic migrations, Nick kept a diary of his sightings as well as the stories he discovered through the community of people, past and present, who loved them, too. Over seven months Nick cycles over 1,200 miles – the exact length of the pinkfeet’s migration to Iceland.

The Meaning of Geese is a book of thrilling encounters with wildlife, of tired legs, punctured tyres and inhospitable weather. Above all, it is the story of Nick Acheson's love for the land in which he was born and raised, and for the wild geese that fill it with sound and spectacle every winter. Renowned naturalist and conservationist Nick Acheson spent countless hours observing and researching wild geese, transported through all weathers by his mother's 40-year-old trusty red bicycle. He meticulously details the geese's arrival, observing what they mean to his beloved Norfolk and the role they play in local people's lives - and what role the birds could play in our changing world. During a time when many people faced the prospect of little work or human contact, Nick followed the pinkfeet and brent geese that filled the Norfolk skies and landscape as they flew in from Iceland and Siberia. In their flocks, Nick encountered rarer geese, including Russian white-fronts, barnacle geese and an extremely unusual grey-bellied brant, a bird he had dreamt of seeing since thumbing his mother's copy of Peter Scott's field guide as a child. To honour the geese's great athletic migrations, Nick kept a diary of his sightings as well as the stories he discovered through the community of people, past and present, who loved them, too. Over seven months Nick cycles over 1,200 miles - the exact length of the pinkfeet's migration to Iceland.

This book gives students an answer to the question, "What does my professor want from this essay?" Using a single poem by William Carlos Williams as the basis for the process of writing a paper, it walks students through the processes of reading, brainstorming, researching secondary sources, gathering evidence, and composing and editing the paper. Writing Essays About Literature is designed to strengthen argumentation skills and deepen understanding of the relationships between the reader, the author, the text, and critical interpretations. Its lessons about clarity, precision, and the importance of providing evidence will have wide relevance for student writers. The second edition has been updated throughout and provides three new complete sample essays showing varying approaches to the final essay.

Screwed is the inside story of the collapse of HM Prison Service told from the front line. Ian Acheson served as both and officer and Governor in a 20-year career that saw him move from the landings to the boardroom. During that time he watched Her Majesty's Prison Service, the uniformed organisation he was proud to serve, collapse into a hopeless and helpless bureaucracy presiding over feral penal dustbins warehousing human failure. This hard-hitting account looks at the politics and the operational decision making which have our prisons to descend into places where extreme violence, indolence and victimisation are normalised. He concludes that the situation is not beyond repair and describes how a new corporate culture and mission can achieve a much-needed revolution in the way the service is run.

"This practical, step-by-step resource will empower you to tackle the task of getting organized so both your home and your mind can finally become calm and chaos-free."--KAREN EHMAN, author of Reach Out, Gather In and the New York Times bestseller Keep It Shut Create the Organized Home and Life You've Always Longed For Living in a disorganized, cluttered home can leave you feeling chaotic, anxious, and even depressed. You want a change, but you don't know where to begin. Home coach Shannon Acheson is here to help. She has written the only book you'll ever need to get your entire home sorted and organized for good--in a way that makes sense for you and your family's unique, God-given personalities. In The Clutter Fix, Shannon helps you * win the battle with all of your stuff by following her step-by-step instructions and checklists * discover your Clutter Personality and your Organizing Personality * create rhythms and routines to keep your home decluttered Clutter isn't just about the stuff. It's about how you feel in your home--and in your mind. This book will give you the peaceful dwelling you've always hoped for.

What makes mathematics so special? Whether you have anxious memories of the subject from school, or solve quadratic equations for fun, David Acheson's book will make you look at mathematics afresh. Following on from his previous bestsellers, The Calculus Story and The Wonder Book of Geometry, here Acheson highlights the power of algebra, combining it with arithmetic and geometry to capture the spirit of mathematics. This short book encompasses an astonishing array of ideas and concepts, from number tricks and magic squares to infinite series and imaginary numbers. Acheson's enthusiasm is infectious, and, as ever, a sense of quirkiness and fun pervades the book. But it also seeks to crystallize what is special about mathematics: the delight of discovery; the importance of proof; and the joy of contemplating an elegant solution. Using only the simplest of materials, it conjures up the depth and the magic of the subject.

In this Marvel Comics adventure, the Incredible Hulk faces a formidable foe. After marauding across the country leaving a trail of devastation in his wake, the Hulk has to be stopped at all costs. Deciding that only one man is up to the job, the top secret Canadian 'Department 'H' despatch their ultimate fighting force, Wolverine, to take down the Hulk.

Marginalia in early modern and medieval texts - printed, handwrit- ten, drawn, scratched, colored, and pasted in - offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode - a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.

EPDF and EPUB available Open Access under CC-BY licence. The COVID-19 pandemic transformed the landscape of voluntary action. Some volunteering projects had to be paused, while others were delivered in different ways, but across all four UK nations large numbers of people began volunteering for the first time. This book provides an overview of the constraints and opportunities of mobilising voluntary action across the four UK nations during the pandemic. Sector experts and academics examine the divergent voluntary action policy frameworks adopted, the state and non-state supported volunteer responses, the changes in the profile of volunteers and the plans to sustain their involvement. This book addresses the urgent policy and practice need for evidence-based considerations to support recovery from the pandemic and to prepare for future emergencies.

This book aims to guide A-level students and undergraduates through the area of religious separatism in the century before the English Civil War. Whilst attempting to review some of the results of recent scholarship in this field, it also attempts to show that the religious tensions which came to the fore during the Civil War and Interregnum had their roots mainly in the frustrations of the radical wing of the Puritan movement in Elizabethan and Jacobean England.

Marginalia in early modern and medieval texts - printed, handwrit- ten, drawn, scratched, colored, and pasted in - offer a glimpse of how people, as individuals and in groups, interacted with books and manu- scripts over often lengthy periods of time. The chapters in this volume build on earlier scholarship that established marginalia as an intellec- tual method (Grafton and Jardine), as records of reading motivated by cultural, social, theological, and personal inclinations (Brayman [Hackel] and Orgel), and as practices inspired by material affordances particular to the book and the pen (Fleming and Sherman). They further the study of the practices of marginalia as a mode - a set of ways in which material opportunities and practices overlap with intellectual, social, and personal motivations to make meaning in the world. They introduce us to a set of idiosyncratic examples such as the trace marks of objects left in books, deliberately or by accident; cut-and-pasted additions to printed volumes; a marriage depicted through shared book ownership. They reveal to us in case studies the unique value of mar- ginalia as evidence of phenomena as important and diverse as religious change, authorial self-invention, and the history of the literary canon. The chapters of this book go beyond the case study, however, and raise broad historical, cultural, and theoretical questions about the strange, marvelous, metamorphic thing we call the book, and the equally mul- tiplicitous, eccentric, and inscrutable beings who accompany them through history: readers and writers.

Originally published in 1995, this book contains a full version of The Diary of Anne Clifford, alongisde an introduction and textual notes. Anne Clifford left one of the most extensive autobiographical records of the seventeenth century and, it was first published, this edition was the first critical edition of any of her works.

Originally published in 1995, this book contains a full version of The Diary of Anne Clifford, alongisde an introduction and textual notes. Anne Clifford left one of the most extensive autobiographical records of the seventeenth century and, it was first published, this edition was the first critical edition of any of her works.

Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn's Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop's Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.

This study of religious tensions in Early Modern England explores the different religious separatist movements between 1550-1660. It describes the development of radical sectarianism during the reign of Charles I and explores why the unity of radical cause was shattered following the restoration of the monarchy in 1660.

Early modern printed books are copiously illustrated with charts, diagrams, and other kinds of images that represent systems of thought and ways of doing things. Visual Rhetoric and Early Modern English Literature shows how these images fostered what Elizabeth Eisenstein called brainwork related to concepts of space, truth, art, and nature, and reveals their importance to poetry by Andrew Marvell and John Milton, and Aphra Behn's Oroonoko. The genres of illustration considered in this book include military strategy and tactics, garden design, instrumentation, Bibles, scientific schema, drawing instruction, natural history, comparative anatomy, and Aesop's Fables. The argument produces unique insights into the ways in which visual rhetoric affected verbal expression, and the book develops novel methods of using printed images as evidence in the interpretation of the rich, strange, and beautiful literature of early modern England.

The Pashtun Tribes of Afghanistan is a tour de force - combining erudite analysis, historical research, atmospheric story-telling, page-turning prose and above all, profound passion.' **- ****Sir Nicholas Kay, NATO Senior Civilian Representative in Afghanistan (2019-2020) & ****British Ambassador to Afghanistan (2017-2019)** The abrupt withdrawal of US and NATO forces in 2021 ushered in a new era for Afghanistan. The subsequent Taliban takeover facilitated a reversion to some of the worst hallmarks of Afghanistan's past, including bans on women's education and other rights-related roll-backs. Navigating this new reality necessitates that more constructive relationships are built between Westerners and Afghans, particularly with the majority ethnicity - the Pashtun tribes. The Pashtun Tribes in Afghanistan: Wolves Among Men is the toolkit for doing so. It provides the knowledge needed to navigate a complex tribal environment. Framed by first-hand experience and balancing in-depth analysis with engaging anecdotes, it sheds light on the Pashtun way of life still enshrined in the ancient Pashtunwali honour code. It explains the tribal structure, tribal territories, historic battles, prominent figures and even Pashtun proverbs and poets. It also highlights how recent wars are destroying the tribal arena. Focusing on people rather than politics, this book unveils the layers, paradoxes and subtleties of the world's largest tribal society. On turning the final page, readers will understand the Pashtun brand of tribalism and how it influences Afghanistan today. They will be aware that tribal life has been permanently challenged but that the Pashtun identity remains intact - in psychology if not always in practice. They will recognise why Pashtuns are not a single entity and should not be treated as one . The need to understand the tribes as they understand themselves will also be clear, particularly their concept of honour. This book illuminates why, from Alexander the Great to Winston Churchill, and even with the Taliban today, Pashtuns are still stereotyped as primitive, violence-prone barbarians. But were men like Rudyard Kipling right to characterise tribesmen as being as unaccountable as the grey Wolf, who is his blood brother? This book has the answer.

Build your child's reading confidence at home with books at the right level High in the Arabian mountains, Ali and Sameer gaze in wonder at a leopard. When the leopard roars with pain after being shot Sameer and Ali flee, terrified that they will fall victim to the leopard poachers. With stunning illustrations, readers follow Ali and Sameer as they escape in this action-filled adventure story written by Kathy Hoopmann. Sapphire/Band 16 books offer longer reads to develop children's sustained engagement with texts and are more complex syntactically. Text type: A story from another culture This book has been quizzed for Accelerated Reader.

Written by some of the world's finest contemporary literature specialists, the newly commissioned essays in this volume examine the work of more than twenty major British novelists: Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S. Byatt, Angela Carter, Janice Galloway, Abdulrazak Gurnah, Kazuo Ishiguro, James Kelman, A.L. Kennedy, Hanif Kureishi, Ian McEwan, Caryl Philips, Salman Rushdie, Zadie Smith, Graham Swift, Rose Tremain, Marina Warner, Irvine Welsh and Jeanette Winterson. The book will be of interest not only to students, teachers and lecturers, but to the general reader seeking help in approaching the often baffling novels of the recent past. Key Features: *Literary critical 'isms' are described in clear, jargon-free language. *Focuses on British fiction since 1980 giving coverage of established authors such as Angela Carter and Ian McEwan as well as little addressed novelists such as James Kelman and Zadie Smith. *Essays are by leading scholars in contemporary fiction.

This book examines the fifteenth-century gentry of Leicestershire under five broad headings: as landholders, as members of a social community based on the county, as participants in and leaders of the government of the shire, as members of the wider family unit and, finally, as individuals. Economically assertive, they were also socially cohesive, this cohesion being provided by the shire community. The shire also provided the most important political unit, controlled by an oligarchy of superior gentry families who were relatively independent of outside interference. The basic social unit was the nuclear family, but external influences, provided by concern for the wider kin, the lineage or economic and political advancement, were not major determinants of family strategy. Individualism among the gentry was already established by the fifteenth century, revealing its personnel as a self-assured and confident stratum in late medieval English society.

Written by some of the world's finest contemporary literature specialists, the specially commissioned essays in this volume examine the work of more than twenty major British novelists: Peter Ackroyd, Martin Amis, Iain (M.) Banks, Pat Barker, Julian Barnes, A.S. Byatt, Angela Carter, Janice Galloway, Abdulrazak Gurnah, Kazuo Ishiguro, James Kelman, A.L. Kennedy, Hanif Kureishi, Ian McEwan, Caryl Phillips, Salman Rushdie, Zadie Smith, Graham Swift, Rose Tremain, Marina Warner, Irvine Welsh, and Jeanette Winterson. Focusing largely on authors whose first novels have appeared since 1980, the essays provide expert and original analysis of the most recent trends in the theory and practice of contemporary British fiction. The volume is organized into four parts, relating to four major theoretical approaches to the contemporary British novel: realism, postcolonialism, feminism, and postmodernism.

How can we be sure that Pythagoras's theorem is really true? Why is the 'angle in a semicircle' always 90 degrees? And how can tangents help determine the speed of a bullet? David Acheson takes the reader on a highly illustrated tour through the history of geometry, from ancient Greece to the present day. He emphasizes throughout elegant deduction and practical applications, and argues that geometry can offer the quickest route to the whole spirit of mathematics at its best. Along the way, we encounter the quirky and the unexpected, meet the great personalities involved, and uncover some of the loveliest surprises in mathematics.

The fifteen essays in this collection, published here for the first time, survey the work of some of the major British and Irish dramatists since 1960. Included are four dramatists - Samuel Beckett, Harold Pinter, Peter Shaffer and Peter Nichols - who began writing plays before 1960, and whose work since then has continued to develop interestingly. Most of the dramatists considered here, however, are those who have begun writing more recently, and who illustrate some of the distinctive characteristics of British and Irish drama of our time.